Reviews

Perfect Arrangement ***1/2

              By: Isa Goldberg

In Perfect Arrangement, 1950s kitsch collides with camp comedy for a frolicking first act. Topher Payne’s new play, produced by Primary Stages Off Broadway at The Duke, captures the ethos of that conservative dull era. "It’s like a Jane Wyman movie, but with Lesbians," as one of the characters opines. More importantly, it’s a gay play that attacks the traditional white male bastion – the US government, and the misogynist society it reflects.

Julia Coffey, Christopher J. Hanke, Jennifer Van Dyck, Kevin O’Rourke, Robert Eli, Mikaela Feely-Lehmann

              By: Isa Goldberg

In Perfect Arrangement, 1950s kitsch collides with camp comedy for a frolicking first act. Topher Payne’s new play, produced by Primary Stages Off Broadway at The Duke, captures the ethos of that conservative dull era. "It’s like a Jane Wyman movie, but with Lesbians," as one of the characters opines. More importantly, it’s a gay play that attacks the traditional white male bastion – the US government, and the misogynist society it reflects.

Julia Coffey, Christopher J. Hanke, Jennifer Van Dyck, Kevin O’Rourke, Robert Eli, Mikaela Feely-Lehmann


To maintain their front as straight men, Bob and Jim (Robert Eli and Christopher J. Hanke) are married to Millie and Norma, (Mikaela Feely-Lehmann and Julia Coffey) two gorgeous lesbians in a committed relationship. The ensemble of actors works together seamlessly.

As directed by Michael Barakiva, Act I takes off as a well-paced farce, with swinging closet doors and broadly stylized performances. By Act II, the plot takes a serious turn. (No spoiler alert, here.) Even with its obvious proselytizing, the show goes over like "a spoonful of Geritol" in a jigger (or two) of vodka, spiked by Jennifer Caprio’s sassy 50s wardrobe, for the ladies.

Photo: James Leynse

Perfect Arrangement

Duke on 42nd Street
229 West 42nd Street
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