The Tony Award Nominations were announced today with few surprises.In the Heightswas the big winner with 13 nominations, followed by the revival of SouthPacificwith 11 nods. The Pulitzer Prize winning drama August: OsageCounty scored 7 nominations, as did the inventive new musical PassingStrange and the revival of Gypsy with Patti LuPone.
Brooke Shields presented Tommy Tune, a 9 time Tony Award winner, with the first Douglas Watt Lifetime Achievement Award at the 2008 Fred & Adele Astaire Awards Gala benefitting The Auditory Oral School of New York. The Awards established in 1982 with the cooperation of Fred Astaire to honor him and his sister, Adele, who starred with her brother in 10 Broadway musicals between 1917 and 1931, recognize outstanding achievement in dance on Broadway each season. This year the Awards will be expanded to include dance and choreography for film as this was the métier that brought Fred Astaire to international fame.
The Mike Nichols revival of Clifford Odets’s 1950 play “The Country Girl” headed by two Oscar winning movie stars and a popular film/television actor has been the subject of much speculation along the rialto. Most of the gossip has focused on Morgan Freeman’s inability to remember his lines during rehearsals, adding an element of drama to the unfolding production, with reports in the press of on stage flubs during previews. Nichols even removed what many considered to be a pivotal scene from Act I, only to restore it before opening night to the satisfaction of the purists.
The dazzling Tony Award winning Broadway Diva Betty Buckley lit up the stage with three sold our concerts at Bay Street Theater over the memorial day weekend. Considered one of the quintessential leading ladies of the American musical theatre Buckley charmed the intimate gathering with astonishing interpretations of an eclectic mix of songs from Broadway, the great American songbook, jazz standards and more. Photography: Barry Gordin
Some of Broadways brightest stars were on hand when the Outer Critics Circle presented their 2008 awards for outstanding achievement in the theatre. Theater legend Jerry Herman was a special honoree at the 58th Annual Awards Party held at Sardi’s Eugenia Room where winners in 23 categories were also honored for the 2008 season. Presented included Raul Esparza, Priscilla Lopez, Karen Ziemba and Jerry Herman. The 2008 Award Winner were:
Joshua Schmidt’s haunting musical adaptation of Elmer Rice’s Expressionist tragedy the “Adding Machine,” currently playing downtown at the Minetta Lane Theatre, is a stunning artistic achievement. Directed by David Cromer with daring style the brilliantly conceived production is simply shattering. While the moody chamber piece may not be for the masses, Cromer’s original staging of the dark tale is nonetheless a bracing heartbreaker that remains true to the source material, while courageously avoiding commercial conceits.
After Mel Brooks, could John Waters, the self styled auteur of trash be far behind? Encouraged by the mega success of the Broadway production of “Hairspray,” John Waters has consented to this campy multi-million dollar musical adaptation of his 1990 film “Cry Baby” that starred a quirky Johnny Depp.
Theater talk this week centered around the 53rd Annual Drama Desk Awards Nominations announced at the Friars Club. A Catered Affair, the Harvey Fierstein "little gem" (no pun intended) with 12 nominations headed the list, followed by Adding Machine, a brilliant musical adaptation of the 1923 Elmer Rice classic with 9 nods, while the acclaimed Lincoln Center production of "South Pacific" and the critically hammered commercialization of Mel Brook’s "YoungFrankenstein" both scored eight.
Len Cariou, Tony Award winner for "Sweeney Todd," shared behind-the-scenes stories about his life and times in show business at The Friars Club during an afternoon luncheon produced by Randie Levine-Miller.
Who would have thought a 1980 big budget movie musical turkey starring Olivia Newton-John would be reincarnated on Broadway as an absurdly silly send up of itself.
The jukebox musical Xanadu is the first show of the new Broadway season and from the looks of things may be just what the doctor ordered, “Inspired magic to heal what ails you.” This deft spoof at the Helen Hayes Theatre has audiences roaring with delight at the preposterous shenanigans from the top notch ensemble.
The new Mel Brooks musical Young Frankenstein,” based on his classic film, opened on Broadway with strong word of mouth from Seattle, indicating Mr. Brooks was poised to top his mega smash hit The Producers. With a reported excess of $30 million in advance ticket sales the splashy new musical is already a success and nothing anyone might say will ultimately matter much, but here we go, Young Frankenstein is a big bloated monster of a show, an over amplified extravaganza, dazzling in every detail, but missing the charm of the original film upon which it was based.
As part of Edward Albee’s ongoing 80th birthday celebration the playwright has directed two of his early one act plays, “The American Dream” and “TheSandbox” at the venerable Cherry Lane Theatre. The satires of American values, intended as a homage to the French absurdist Eugene Ionesco, were written almost 50 years ago as an assault on middle class values, but today remain startlingly fresh and even contemporary.
A musical that really goes to unexpected places, that’s NEXT TO NORMAL. Yes that’s the name of the show. Actually it’s about bipolar disease, the darkest side of the mind and the dark ways in which we perceive it and treat it. Not a predictable or even plausible subject for a musical. But as it unfolds here in an uncanny, sensitive book by Brian Yorkey, the story is suspenseful and provocative.
MCC Theater is presenting “Grace,” an acclaimed hit at London’s Soho Theater, now making its American premiere with Lynn Redgrave reprising her starring role. The distinguished actor is a commanding presence as the title character, a British professor of science, who calls herself a “naturalist” and has little need for God; considering the belief in a higher power or divine being to be “bollocks, complete and utter bollocks!”