Around The Town

Broadway Update

B’way Update: Into the Woods; OCC Ceremony

By: David Sheward

May 30, 2022: When I went to see Golden Shield at Manhattan Theater Club’s City Center Off-Broadway space, I had to stand in line with attendees for the Encores! production of Sondheim and Lapine’s Into the Woods. The line went around the block and I was worried about missing my curtain (I didn’t). Well, that immensely popular staging of the 1987 fairy-tale musical by Lear de Bessonet, Encores’ artistic director, will by transferring to a limited run on Broadway at the St. James Theater, with previews starting June 28 for a July 10 opening.¬†

The Encores! staging of “Into the Woods” will transfer to Broadway. Credit: Joan Marcus

B’way Update: Into the Woods; OCC Ceremony

By: David Sheward

May 30, 2022: When I went to see Golden Shield at Manhattan Theater Club’s City Center Off-Broadway space, I had to stand in line with attendees for the Encores! production of Sondheim and Lapine’s Into the Woods. The line went around the block and I was worried about missing my curtain (I didn’t). Well, that immensely popular staging of the 1987 fairy-tale musical by Lear de Bessonet, Encores’ artistic director, will by transferring to a limited run on Broadway at the St. James Theater, with previews starting June 28 for a July 10 opening. 

Sara Bareilles (Waitress) will reprise her role as the Baker’s Wife with Brian D’Arcy James (Something Rotten, Sweet Smell of Success) replacing Neil Patrick Harris as the Baker. Gavin Creel (Tony winner for Hello, Dolly!) will also return in the dual roles of the Wolf and Cinderella’s Prince. New cast members include Patina Miller (Tony winner for Pippin) as the Witch, Phillipa Soo (Hamilton, Ameila) as Cinderella, Joshua Henry (Carousel) as Rapunzel’s Prince, and Annie Golden (Assassins) as Cinderella’s Mother/ Grandmother/Giant’s Wife). Miller is replacing Heather Hedley who will be filming Netflix Sweet Magnolias series. Soo is taking over for Denee Benton who will be doing the second season of The Gilded Age. Ironically, Benton replaced Soo in Natasha, Pierre and the Great Comet of 1812 when it transferred from Off-Broadway to on.

This will be the third rendition of Woods on Broadway, following the original, and the 2002 revival. There were also revivals Off-Broadway from the Fiasco at the Laura Pels and in Central Park’s Delacorte Theater.

La Chanze and Victoria Clark, OCC Best Actress winners in a Play and Musical for Trouble in Mind and Kimberly Akimbo, respectively.

Outer Critics Ceremony: For the first time in three years, the Outer Critics Circle gave out their awards for the best of the Broadway and Off-Broadway season in a live ceremony. The OCC which includes critics and journalists for out-of-town and national publications and media, gives separate awards for Broadway and Off-Broadway in the categories of Best Play and Musical and considers on and off equally in all other categories. When the pandemic struck in 2020, the Circle announced their winners via press release. Prior to that, the OCC awards have normally been presented in an afternoon ceremony at Sardi’s with only the winners, who have been traditionally announced beforehand, and OCC members attending with a dinner. This year because of COVID concerns, the event was held at the intimate Bruno Walter Auditorium at Lincoln Center Public Library for the Performing Arts on Thursday May 26. Presenters included Andre de Shields (entering his last week of performances in Hadestown and preparing for Death of a Salesman), Beth Leavel (in rehearsal for the Chicago pre-Broadway run of The Devil Wears Prada), and Brittney Johnson (currently in Wicked). OCC president David Gordon of Theatermania.com welcomed everyone and expressed his joy at being back in the theater after such a long hiatus. 

David Morse, Mary-Louise Parker and Johanna Day
of How I Learned to Drive received Special Awards for recreating their original roles.

Best Actor in a Musical Jacquel Spivey (A Strange Loop) explained why he was elated to receive his award from Andre de Shields. When he was growing up in a small town in North Carolina, the only way he could see Broadway shows was on YouTube or bootleg videotapes. Two of his favorites were The Wiz and Ain’t Misbehavin’, both starring De Shields in the original cast. Special Award winner Ruben Santiago-Hudson (Lackawanna Blues) gave an impassioned acceptance speech, emphasizing the importance of representation for the BiPOC community in theater. Producer Caro Newling accepted all six OCC awards for The Lehman Trilogy since the mammoth show had finished its Broadway run and all the recipients were in London. (Award pianist Michael Lavine cleverly played “The Money Song” from Cabaret as she got to the stage.) Newling delivered a fascinating account of Lehman’s journey from Milan to London to Off-Broadway to Broadway with interruptions for the pandemic. The most interesting anecdote was how Best Actor in a Play winner Simon Russell Beale came to play so many roles and the cast was reduced to only three. Beale who always showed up at rehearsals one hour early, read several of the roles in the new streamlined version of the script which was originally seven hours long. “You know, I could do all these,” he said to director Sam Mendes who agreed.

Jacquel Spivey, Best Actor in a Musical for A Strange Loop with presenter Andre De Shields (l.)

David Morse and Mary-Louise Parker paid tribute to their castmate Johanna Day who was sharing in a special citation for recreating their roles from the original production of Paula Vogel’s How I Learned to Drive.

It was heartwarming to return to this intimate celebration of theater. Also attending were winners Patti LuPone and Matt Doyle of Company, LaChanze of Trouble in Mind, Victoria Clark of Kimberly Akimbo, Jesse Tyler Ferguson of Take Me Out, Uzo Aduba of Clyde’s, Kristina Wong of Kristina Wong Sweatshop Overlord and playwright Sanaz Toossi, winner of the John Gassner Award for English. The award season continues on June 12 with the Tonys and for the first time, the Drama Desks will take place after the Tonys on June 14 at Sardi’s. This year, the DDs will announce their winners beforehand (like the OCC) and there will be a small ceremony at the celebrated theater restaurant.

OCC photos by David Sheward 

2022-23 Broadway/Off-Broadway Schedule

June 2–what the end will be (Roundabout/Laura Pels)

June 6–Theater World Awards (Circle in the Square)

June 6–Voting for Drama Desk Awards ends

June 12–Tony Awards (Radio City Music Hall)

June 14–Drama Desk Awards (Sardi’s)

June 16–Epiphany (LCT/Mitzi Newhouse)

June 20–Chita Rivera Awards (NYU Skirball)

July 10–Into the Woods (St. James)

July 21–The Kite Runner (Hayes)

Aug. 25–Kinky Boots (Stage 42)

Summer 2022–Richard III; As You Like It (Delacorte)

Sept. 19–The Piano Lesson (St. James) (previews begin; opening TBA)

Nov. 10–Kimberly Akimbo (Booth)

Nov. 20–KPOP (Circle in the Square)

Dec. 4–A Beautiful Noise: The Neil Diamond Musical (Broadhurst)

Dec. 8–Camelot (Lincoln Center/Vivian Beaumont)

Dec. 11–Some Like It Hot (Shubert)

Fall 2022 (no dates yet)

1776 (Roundabout/AA)

Between Riverside and Crazy (Second Stage/Hayes)

the bandaged place (Roundabout/Underground)

Cost of Living (MTC/Friedman)

Summer, 1976 (MTC/City Center Stage II)

Where the Mountain Meets the Sea (MTC/City Center Stage I)

2022-23 (no dates or theaters yet)

Ain’t Supposed to Die a Natural Death, Black Orpheus, Cinderella, Dancin’, Death of a Salesman, The Ohio State Murders, Pal Joey, Square One

Winter 2022-23

The Wanderers (Roundabout/Laura Pels)

Spring 2023

Poor Yella Rednecks (MTC/City Center Stage II)

2023 and Beyond

Game of Thrones, The Great Gatsby

Future–Leopoldstadt; The Karate Kid; Back to the Future; Our Town; The Nanny; The Normal Heart/The Destiny of Me; Smash; Soul Train; The Who’s Tommy