When Change Comes: A Movement Forward

Mark Stuart discusses the evolution of the dance phenomenon as it sets to premiere on Long Island.

By: Iris Wiener

When Change Comes: A Movement Forward is a poignant dance musical that asks the question: Can the act of “seeing” each other without judgment or fear break the cycle of intolerance? Featuring a cast of world-renowned dancers, singers and musicians, Change takes audiences through a century of music, movement and human connection in the shadow of our nation’s most defining moments. Known as Standard Time throughout its prior Off-Broadway and regional runs, the newly re-worked show will open for audiences on September 7^th at Madison Theatre at Molloy College with special Broadway guest stars Laura Osnes (Bandstand, Cinderella) and Dan DeLuca (Newsies national tour), and on September 8^th with  Adam Kaplan (A Bronx Tale, Newsies). Change moves to New York Live Arts September 13^th through September 16th. Director and co-producer Mark Stuart (Bandstand, ABC’s Dirty Dancing) spoke with Theaterlife about his show’s second life, and how he aims to make an impact with the important piece.

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SpongeBob SquarePants’ Ethan Slater: “The Role I Didn’t Know I Was Born to Play”

By Ellis Nassour

June 5, 2018:   “My life changed overnight!” exclaims Ethan Slater in understatement. “I’m still pinching myself because I haven’t had time to absorb it all. I owe Tina Landau the world!” Ms. Landau, quite unexpectedly, feels vice versa.” The musical, Slater, in his Broadway debut, and Landau are ending the season with a bang. SpongeBob SquarePants just captured Drama Desk’s Outstanding Musical honors; Slater won Outstanding Actor; and Landau, Outstanding Director, Musical. The trio is also Tony-nominated.  In all, the show earned 12 Tony nominations and 11 DD nods.

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Mart Crowley: After 50 Years He’s Still the Leader of the Band

By: Ellis Nassour

May 31, 2018:   In 1967, when Mart Crowley began writing  his play The Boys in the Band, he was so frustrated with his career as a screenplay writer that he intended, with every breath of each invented character and situation, to be controversial. The themes of the play were self-loathing and self-destruction, the loneliness that envelops you when the crowd disperses. “These were things that fascinated me,” he revealed. “Things I was hung up on much too long. I tried to learn how people become their own worst enemies. Once I came to grips with that realization, I became a happier person.”

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Michael Urie Talks Succeeding in Business While Hosting Drama Desks

By: Iris Wiener

May 23, 2018:  Who better to host an award show celebrating the best in theatre than an actor who personifies it? Over the past year, two-time Drama Desk Award winner Michael Urie garnered rave reviews for his brilliance with physical comedy in The Government Inspector; his moving, sincere performance in Second Stage’s Torch Song; and the titular title character in Shakespeare Theater Company’s Hamlet. In the coming year he shows no signs of slowing down. Immediately after hosting the 63^rd Annual Drama Desk Awards for the third time on June 3^rd, Urie heads to the Kennedy Center to reunite with his Ugly Betty co-star Becki Newton in How to Succeed in Business Without Really Trying. However, if fans can’t make it to D.C. to get a taste of Urie’s talent, they can check out his work on digital platform BroadwayHD. Urie took the director’s seat for the twice-extended Off-Broadway production of Bright Colors and Bold Patterns, which will be streaming this summer.

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A Musical with Some Sting: Director John Rando on His 30s Caper 

By: Iris Wiener

You may not know John Rando by name, but if you have experienced intelligent, entertaining theatre in the past few decades, you have certainly taken in some of his work.

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Robert Creighton Gets Holiday Happy at Feinstein’s/54Below

By: Iris Wiener

No one embodies the New York vibe better than Robert Creighton. The multi-talented performer has leant his powerhouse vocals and stunningly quick dance steps to seven Broadway shows (Anything Goes, The Mystery of Edwin Drood), and is gearing up for his eighth, Disney’s behemoth Frozen. Fresh off a run in the West Coast premiere of Off-Broadway’s hit Cagney, a musical love letter to the groundbreaking vaudevillian song-and-dance man (Creighton earned Drama Desk and Fred Astaire awards for his performance, as well as a credit for co-writing the piece), he returns to Feinstein’s/54Below on December 14^th at 7pm for his third solo show, Holiday Happy! Before debuting his festive set and stepping into the Duke of Weselton’s snow shoes in Arendelle, Creighton treated Theaterlife.com to a chat about his exciting year and what 2018 has in store for him.

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Megan Cavanagh: From Marla to Menopause

By: Iris Wiener

The name Megan Cavanagh is synonymous with Marla Hooch, the wide-eyed, scene-stealing second base-woman in A League of Their Own. However, Cavanagh also has an excellent pitch- as a singer, that is, and she has been sharing it with the world for the past thirteen years as Earth Mother in Menopause the Musical, which comes to The Gateway at Patchogue Theatre on Sunday, October 8^th at 2pm and 7pm. Menopause is a celebration of women who are on the brink of, in the middle of, or have survived “the change,” featuring a story told through musical parody of hits from the 60s, 70s and 80s. In between raising funds for the International Women’s Baseball Center (IWBC) and speaking on League Q&A panels celebrating the 25^th anniversary of the film, Cavanagh spoke with Theaterlife.com about what she has been up to since Penny Marshall’s iconic 1992 hit, her Broadway ambitions, and returning to the Long Island theatrical mainstay.

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By: Iris Wiener

The Broadway musical, War Paint, chronicles the story of Helena Rubinstein and Elizabeth Arden, ferocious rivals played respectively by Patti LuPone and Christine Ebsersole. The two women reinvented the 20th Century beauty industry, and the musical centers on their challenges as women and adversaries in transforming how the world saw women.in the business. Their tale is complemented, and enhanced, by Angel Reda, a member of one of the hardest working ensembles in the theatre today. Angel is a Kansas native best known for covering every role in Broadway’s Chicago and one of Hugh Jackman’s dancers in Hugh Jackman in Performance. In War Paint, she dons many heals and shades of lipstick as Ms. Arden’s solicitor, Miss Smythe, and plays a number of other roles as well.  Angel spoke with Theaterlife.com about the challenges and privileges of working on a new musical, along with her desire to play Shakespeare.

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